ELECTRONIC PRESS KIT
WHITE SCRIPTS AND BLACK SUPERMEN: BLACK MASCULINITIES IN AMERICAN COMIC BOOKS
This is documentary will be distributed by California Newsreel.
The documentary was shot, edited and produced by Jonathan Gayles.
Current Running Time: 53:49 minutes
Those interested in popular culture, comic books, critical media studies, African-American studies, media history, gender and masculinity, Black masculinity, and blaxploitation.
About the Filmmaker
Jonathan Gayles, Ph.D. is Associate Professor of African-American Studies at Georgia State University in Atlanta, Georgia. He is a graduate of Morehouse College (B.A., Psychology), Winthrop University (M.S., School Psychology) and the University of South Florida (Ph.D., applied anthropology). His primary areas of interest include the anthropology of education, educational policy, Black masculinity, race and ethnicity as well as critical media studies.
An avid comic book reader as an adolescent, he was often frustrated by the general absence of African-American superheroes. He identified with the few African-American superheroes that he did discover primarily because they too were African-American men. As an adult and with a growing interest in the critical engagement of Black masculinity, his retrospective consideration of these characters has greatly diminished his fondness for the characters. With adult eyes, he was shocked by much of what he read in the comic books that he so loved as a child. In preparing a paper on the subject for an academic conference, he encountered a growing body of scholarship on race and representation in comic books. Furthermore, he was introduced to communities of scholars and artists that critique representations of African-Americans in comic books and create their own representations of African-Americans in comic books. After deciding to produce a documentary, he bought a Canon XHA1S, attended an intensive summer documentary film institute offered by Duke University’s Center for Documentary Studies and began shooting during the fall of 2009.
Through interviews with prominent artists, scholars and cultural critics along with images from the comic books themselves, this film examines the degree to which early Black superheroes generally adhered to common stereotypes about Black men. From the humorous, to the offensive, early Black superheroes are critically considered.
About the Film
As a young boy, the filmmaker loved comic books and the escape that they provided. However, as a young BLACK boy, his ability to truly escape was limited by the fact that many of the heroes were White. This documentary critically examines the earliest representations (1965-1977) of Black masculinity in comic books and the troubling influence of race on these representations. Within the last several years, many scholars have critically engaged comic books as a legitimate source of scholarly interest and critique. Indeed, comic books represent a genre within popular culture that is older than the television. Thinking critically about the manner in which Black men were first portrayed in hero serials provides insight into broader societal conceptions of the Black man as character, archetype and symbol. Through interviews with prominent artists, scholars and cultural critics along with images from the comic books themselves, it becomes clear that the Black superheroes that did eventually emerge are generally constrained by stereotypical understandings of Black people and Black men in particular. From the humorous, to the offensive, to the tragic, early Black superheroes never strayed too far from common stereotypes about Black men.
The documentary addresses more than forty years of representation of Black men in comic books. The characters included in the documentary are as follows: Lothar (First appearance in 1934), Whitewash Jones (First appearance in 1941), Waku, Prince of the Bantu (First appearance in 1954), Gabriel Jones (First appearance in 1963), The Black Panther (First appearance in 1966), The Falcon (First appearance in 1969), John Stewart (First appearance in 1971), Luke Cage (First appearance in 1972), Tyroc (First appearance in 1976) and Black Lightning (First appearance in 1977).
The documentary addresses the following topics within the broader theme
• A general history of early Black male superheroes
• The manner in which these characters are generally constrained to the “ghetto”
• Evidence of the “Black Buck” stereotype
• The manner in which their powers are limited and qualified in comparison to White heroes
• The influence of Blaxploitation films on these representations
• The impact of racism, racial thinking on the publishing and distribution of titles featuring Black heroes
• The influence of ethnicity on the creation of superhero characters
• The distinction between African and African-American representations of Black superheroes
Dawud Osaze Anyabwile (Big City Comics)
Jeffrey Brown (Bowling Green State University),
Stanford W. Carpenter (School of the Art Institute of Chicago)
Sundiata Keita Cha-Jua (University of Illinois, Urbana-Champaign)
Julian Chambliss (Rollins College)
Jelani Cobb (Spelman College)
Christian Davenport (University of Notre Dame)
Bill Foster (Comic Book Historian)
Reginald Hudlin (Film Producer)
Tony Isabella (Comic Book Writer)
John Jennings (State University of New York at Buffalo)
Korby Marks (Comic Book Writer)
Elise McCutchen (Undergraduate Student)
Dwayne McDuffie (Comic Book Writer)
Adilifu Nama (Loyal Marymount University)
Mark Anthony Neal (Duke University)
Yumy Odom (Comic Book Writer/ Founder of the East Coast Black Age of Comics Convention)
Michael Sales (Comic Book Writer)
Guy Sims (Big City Comics)
Marc Singer (Howard University)
Anthony Tallarico (Comic Book Artist)